Showing posts with label superwoman. Show all posts
Showing posts with label superwoman. Show all posts

Sunday, May 24, 2009

My joy surrounding this week’s haul!

And full of joy it was. Spoilers ahead for Green Arrow Yr 1, Green Arrow/Black Canary #20, Supergirl #27 and #41, Superman/Batman #60 and Battle for the Cowl #3. I have reviewed them in that order so if you don’t want the identity of the new Batman spoiled, just don’t read the last review.

Included as this week’s back up promo stories was a teaser for Batwoman, appearing in Detective comics from June (?). It’s looking interesting. I like Greg Rucka a lot and I trust that he’ll do well with the character. The art is…vampiric, but I’m sure it will grow on me.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Green Arrow Year 1
The reason for this review is that I finally got around to ordering GA yr 1 #4, which I couldn’t get when it came out – that week my comic shop had a box missing in it’s delivery, or something. Anyway, I got this issue and read it, then read the arc in it’s entirety. One of the first things I noticed was it was originally billed as a 4 issue story, then changed to a 6 issue story on # 3. I don’t know the reasons behind this, but it’s a good thing it was extended by 2 issues as the story could well have suffered for being shortened.

The second thing to highlight is the glorious cover art done by Jock, colours by David Baron )I can't find a picture of the cover for number 3, sorry). These covers make it well worth getting the individual issues rather than the trade. Cover #s 2, 4 and 6 are my favourites. Number 2 in particular is breathtaking. I know I rave on and on about anything I like, maybe my gushings seem like platitudes, maybe because I like so much stuff it reduces the import of what I have to say. But, these covers are really really good!
The inside art is done by the same team, and while not as detailed as the covers, it is also well worth referring to it. There is a sense of depth to the art, of layers, yet there is nothing extraneous included. It’s very well put together.

As for the story, well there’s character growth, there’s referrals to future events in Ollie’s life (“I’d rather die than lose an arm” why hello Zero hour!), there’s the creation of the costume and there’s the development of his defining qualities – determination, recklessness, stubbornness, showiness. He starts off as a useless, empty playboy and ends up a hero. In terms of a year 1 story, this does the trick.

With a different art team this may have been an average story. As it is I think it’s a must for any Green Arrow fan. Now, where’s the Black Canary year 1 story huh?

Green Arrow/Black Canary #20
Betcha bottom dollar this issue is gonna be criticised online. Betcha.

Obviously not by me though, I liked it. A lot. In fact I think this is a bloody massive turnaround, considering the rubbish that’s been produced for earlier issues. The cover art is still foul, but does make a bit of sense considering the arguments inside.

The issue starts with Dinah and Ollie in relationship therapy. The idea of them two being in therapy together is a giggle. Ollie has been dragged there by Dinah and is not really cooperating. Well, with an ego like his he was never gonna think it’s a great idea, right? Y’know, this issue actually has them in character. Which is nigh on a miracle. I can see there being an uproar over Dinah having mother issues, but I don’t get the beef. Ok, I’m not very knowledgeable about her history, but I seem to remember reading something, somewhere, about her going into costume just to piss her mother off, and having Ted (Wildcat) train her in secret because her mother wouldn’t approve. I recall another story from when she was a teenager and she found out who her Dad really was. So, there’s a precedent for mother issues. In addition, Ollie has dead parents, so it’s not like he’s getting away with a trauma free backstory. Lastly, in my ammunition for why this is a good sub-plot, is we are seeing Dinah as Dinah, individual person, not Dinah-wife of Green Arrow.

Regarding the secret identity thing, Ollie lost the mask during the Kevin Smith (?) run but somewhere regained it, so I’m assuming he is no operating under a secret identity again. As for Dinah, I was going to come up with an explanation for why she doesn’t need a mask or secret identity. It was going to go along the lines of only ninja assassins know who she is and she doesn’t move in civilian circles. A bit like Lady Shado doesn’t need a secret identity but she still manages to do ordinary everyday things. Then I remembered Dinah is the chair of the JLA and probably most bad guys and civilians do know her name is Dinah Lance.
Anyone else got an idea as to how her hero/civilian identity works?

Onto the action part, everyone has gone deaf. If I haven’t mentioned it before, I learn British Sign Language and so am interested in dDeaf issues. Hence, this plotline holds a lot of interest to me. The last thing to mention is Cupid meeting Ollie. He is correct, Dinah is gonna have a fit.

Supergirl #27
Great cover, shame it’s got fuck all to do with the story. This is another one I missed when it came out, I don’t know why. Like the GA issue, I decided it was about time I ordered meself a copy from Ebay. Only beef with this cover, and a couple of panels inside is that Kara’s skirt is wrong – she’s wearing what looks like a tight lycra esque skirt – think like Linda DanversSupergirl costume . Kara’s skirt is free flowing and hangs loosely.

That snit over, this is a good story. It takes place in the middle of the saving Thomas arc. Within the book Kara is nearly assassinated and then transported to the future. Apparently in this future timeline she has saved Thomas but then goes about changing humanity to improve us, resulting in humans not being human anymore. She is later transported back to our time with a request that she not save Thomas, in order that future humanity be saved from her good intentions.

There is a wonderful statue of adult Kara in the future, it’s very Grecian in style, I think. I will try and scan a picture and post some images later this week.

Supergirl #41
Well fuck me sideways I didn’t see that coming. Superwoman is dead. Kara killed her, seemingly by ripping the suit to shreds. Obviously Kara didn’t mean to kill her, she was trying to reduce her powers by ripping the discs off, then she ripped the S off declaring that Lucy doesn’t deserve to wear the emblem. Lucy then melts, into a bubbly pile of goo. Next panel is a distraught Kara on her knees wondering if she’s just killed Lois’s sister. We’ve gone from some very colourful scenes, all purple and bright primary colours to a darkened scene which suits the mood exceedingly well. There are talented colourists on this title.

I figure this can go a few ways. The dead Lucy is not the real Lucy and we find this out over the next few months. The dead Lucy is the real Lucy and this has ramifications for Kara and her reception within the Kent/Lane family. I mean, Lois is rather alone at the moment. Clark is off planet and can’t visit with her, she doesn’t really speak to her Dad, and her niece (great niece?) has just murdered her sister. This isn’t going to go well. Regardless of whether Lois likes Lucy or not, whether she approves of her actions as Superwoman or not, she is going to be pretty devastated. She’s got Chris Kent back but he’s got to hide from the authorities – headed by Lois’s father. This is going to be a complicated 6 months.

The last thing I want to note is the way in which Superwoman is legitimately part of the House of El – as Lois married Clark, she became the sister-in-law of Kal-El, and therefore related to Kara and Alura. This is not something I had registered before, and now I’m thinking what would General Lane do if he knew he was firing on his family?

Superman/Batman #60
Fabulous cover. Real moody and detailed, and relates to the story inside. Amazing. The inside art is done by the same team – Francis Manapul and Brian Bucellato.

Kal and Bruce have found themselves in a parallel earth. Metropolis and Gotham have been combined, as have the superheroes. We now have the Justice Titans, (battle cry: Justice Together) and the heroes have been amalgamated too. Starfire/Black Canary (this works surprisingly well), Aquaman/Cyborg, Hawkman/Beastboy, Nightwing/Green Lantern (Hal), the Flash (Wally Allen, blonde hair), Donna Wonder (she has sparkles in her hair!). the bad guys are Deathstroke/Doomsday, Brainac/Catwoman, Penguello (Penguin and who?), Jimmy Two-Face (they can’t mean Jimmy Olsen surely?), and Lex Joker.

I’m really really loving this title. It’s not following any other continuity, it could be set at any time in DC history and it’s just downright fun. As it doesn’t have to relate to the other Bat/Super titles they can send the characters to any time, space, dimension they want. It’s great.

Battle for the Cowl #3
I haven’t read the previous two issues in this mini and I picked this up purely to find out who the new Batman is. As such, I was rather excited by it all and enjoyed most of the story,, but it was self induced excitement, not necessarily story induced excitement. Still, I liked it. You want my reactions you say?

Well, what on earth was Tim doing in the Bat suit? After the incident with the evil future Titans I’d have thought he’d never have gone near the Bat suit. He’s had a lot of shit thrown at him over the years, but he remains optimistic. He’s a gentle soul and being Batman would destroy him.

Dick on the other hand, he’s got the hardness in him, a bitter angry edge that could be put to good use as Batman. But it will probably fuck him up. When Bruce comes back there’ll be one hell of a power struggle between them – I’m thinking back to the time when him and Bruce weren’t speaking and Dick created the Nightwing identity.

Damian is the new Robin. I have no feelings either way except that Damian seems rather ridiculous and petulant. I’d be very surprised if Dick likes him.

Now that Damian is Robin, the cover of Red Robin #2 makes more sense. That would be Damian fighting Steph, and hopefully Tim as Red Robin. Red Robin’s costume looks like a golden age creation, I do not like it. But, as this looks to be Tim’s own title and as Steph appears in it I expect I’ll be adding it to my pull list.

Sunday, March 22, 2009

Supergirl # 39 and thoughts on Superwoman’s identity

Blimey this was a small week - only 1 book. That one book being Supergirl# 39 of course. I tend to read some of each week’s new releases at work in my lunchbreak, but unfortunately that leads to me being rather rushed and not taking it all in. As this was just the one book out this week I decided I had time to reread it before reviewing.

I’m glad I did, as I like being able to take the time to savour the panels. Anyway, onwards.

I was *really* hoping that this issue would reveal who Superwoman is, but no such luck, we have to wait till next issue to find out. Gaaah the suspense is killing me. Now we know Thara is Flamebird, and presumably she can’t be both Flamebird and Superwoman, I half think that Linda Danvers is with a chance. Bearing in mind I haven’t read Reign in Hell, my reasoning goes thus:
  • She’s had a few years to grow up and so must be in her 20s now – Superwoman looks to me to be an adult.
  • She has been murderous before – when Buzz first met her she was involved with a cult doing pretty bad stuff.
  • I know she redeemed herself with the earth born angel thing, but towards the end of that run wasn’t she slipping back into darkness?
  • She spent a long time in a parallel universe where she married that universe’s Superman and had a child. A life she was forced to give up when she came back to this universe. That would make anyone unhinged.
  • Due to her time living in the parallel universe she could easily have learnt Kryptonian from Kal.
  • Her powers may have mutated, hence the new ‘zzztt’ sound of her laser eye beams.
  • If this Superwoman is a robot I can’t see how the suit holding up against kryptonite blasts is an issue. If she isn’t a robot and is Linda, then maybe something else has happened to her which means that kryptonite could harm her. Maybe it’s the close range of the blasts that were a problem, and not the fact that they were kryptonite?
  • Linda’s time with alternate universe Superman does make her part of the El family.
  • I don’t think Superwoman has x-ray vision (if she did why is she flying around Metropolis looking for Kara? Why can’t she just stand on a rooftop and look?) and neither does Linda.
  • I want Linda back dammit.
I admit that the last point may be the most pertinent one. Any arguments or theories I’ve put forward about the identity of Superwoman have been largely based around who I want her to be. A clone or robot is really really boring. With Chris Kent as Nightwing, Thara Ak-Var as Flamebird, Mon-El as protector of Metropolis, and Zod/Ursa/the big lump back, it looks like they are trying to tie up and involve all otherwise sidelined Superman characters. Which would make Linda a good choice to be Superwoman.

Heck, even if Linda is evil now she’d still be more interesting and have more depth than a bleeding robot. I cannot see how Superwoman is any version of Kara and I loathe Alura so much I really do not want two of her running about. Anyway, with Alura being a crazy dictator what would be the point in having a second evil Alura running about as Superwoman? Unless dictator Alura and Superwoman Alura teamed up. That would be great….
But I’d still prefer Linda.

As to the content of this issue, well there weren’t really any more clues about Superwoman’s identity. Kara spoke to her mother via red crystal about how the mission was going, and Alura revealed herself to be even more loathsome than before. She’s got a very commanding presence, even in holographic form, and she’s causing her daughter no end of pain. Kara expressed a wish that Alura had died rather than her father, and at this point I don’t blame her. Poor kid. She’s got this shit to deal with from her mother, the entire world is now baying for Kryptonian blood and she’s having to deal with guilt for wishing her mother dead.

On the plus side she’s got Lana there to support her and be like a mother and friend to her, which is really what she needs. Lana has demonstrated how protective she is of Kara by threatening to sack one of her employees for making lewd comments about her ‘neice’.
I’m so glad this secret identity is being used, I was very fearful of it being dropped and I think it makes a much stronger book for using it.

The art in this issue changed halfway through which was really jarring. Jamal Igle’s art is really human and I’ve been loving it. This new guy’s pencils is much more of a caricature and when placed slap bang in the middle of Igle’s work it sits very oddly. One panel showed Kara with blown up porn lips, I hope that was a one off. On the whole I think I will like the new guy’s work, it reminds me of Ale Garza’s stuff, but I definitely prefer Igle’s.

The continuing development of Kara’s relationship with the police force if also pleasing. However I believe ripping off your trenchcoat in the middle of a police station when you area wanted alien might not be the brightest thing in the world to do. Ok so 3 of them already knew she was there, but if you’re going to have to fly off and fight the bad guys you don’t want police officers making a fuss and trying to prevent you getting away.

Roll on next month when I will be jubilant or disgusted.

Friday, February 20, 2009

Share the reading love

And oh, what love this week! (And last week’s too, as I’m late)

What follows is talk of:
Supergirl 38, Superman/Batman 55, Action Comics 874
Green Arrow and Black Canary 17
Booster Gold 17
Showcase 95 #5 (featuring Spoiler!)
A few lines about other old DC books (Fanboy GL, LoSH and New Gods)
Some delight over George R R Martin’s Dreamsongs, a RRetrospective volume 1
Me bemoaning my lack of attention to reading orders, maybe. Possibly also some Buffy thoughts.

That’s a lot to get through. I’ll bolden up each heading, read whichever parts you like.

So, onwards and, of course, spoilers ahead.
.
.
.
.
.
.
.
.
.
.
Supergirl #38
Oh my how I love the cover of this. Not so much for Kara, but for Superwoman. The eyes, the eyes. She’s mesmerising. I could look at that cover all day.
About the inside of the book. It seems like a lot of issues have opened with Kara announcing ‘This is my life’ and her getting decked by a supposed friend. A reference back to the earlier issues perhaps? Kara does talk like a teenager in this, which is good for getting the character right, but might be annoying if you don’t use teenage slang yourself. I do take umbrage at the use of the word ‘psyche’. Has anyone ever said that, past about 1994? Honestly.
The fight scene was fun and the colouring lovely – the blues of the ice, the sea and the sky were a pleasure to see. It’s good to see that Superwoman’s gold discs have a use – that of communicating with her bosses.
Focusing on the art once more, the panels with Cat Grant were a treat and really showed her ugly personality. The doll scares me, and I feel trepidation regarding who sent it, I’m certain Kara didn’t, not her style.
The Superwoman mystery depends. Forget what I said last month, now I’m hooked and excited as to who she is. It is revealed (or is that a red herring?) that she’s not Kryptonian, despite Kara guessing at Thara being under the mask.
Now, in a planet full of Kryptonians, how could Kara be given a secret mission? And could Superwoman truly hide her identity? Surely all Kara would have to do is listen hard to everyone on the planet (far less a number than earth’s population) and focus on the familiar voice, then go find her. But I guess Kara isn’t that curious (or creepy).

Re: Origins and omens. Looks like there’s interesting stuff coming up. I’m glad to see that Lana is looking after Streaky (love the origin of the name) and I’m looking forward to the future love interest.

Best line in the book? ‘I’m so going to kick you in the face!’

Superman/Batman #55
I KNEW it. Batman is insane. This proves what I’ve been saying (thinking?) all along. Power hungry messed up in the head idiot. He beat up on Selina! And Dick! I reckon Kal’s powers brought out the urges he’s been burying.

Kara as Linda Lang comes to see Clark at the hospital, and I’m ashamed to say I didn’t recognise her immediately. I’m a bad fan. The scene was wonderful though. In fact, this whole story arc is great.

Favourite panel? Where Bruce is laying into Clark and GL, Flash, Zatanna and Lois are all holding Clark back.

Action Comics 874
Good opening page. Very good. The Zod, Ursa and Non problem is coming along nicely and we are promised more of Nightwing and Flamebird next month, which is a plus. The destruction of the phantom zone is very intriguing, as is the question of how Mon-El will survive on earth.

Booster Gold 17
Booster ensures Barry has his accident and then Booster interrupts a younger version of himself. Not as good as last issue, but good enough.

Green Arrow/Black Canary 17
I love this cover – it’s the shades of green they’ve used and the detailing on the shadows I think.
This is a vast improvement on previous issues. For one, the deliciously evil bad guy attacks a building with a truck. By driving into the top floor from another high storey building. That, is ace.
Secondly, Dinah gets to fight. She helps herself, she doesn’t get rescued by Ollie and they work as an effective team. We also get to see more of the action from Dinah’s point of view. Now that means that the issue lives up to it’s title, for once.

Re the origins and omens segment, we see Dinah’s discovery of her powers and the aftermath of the guy she injured last issue – he’s been deafened and he’s not happy about it. Speedy has been given a black costume, but doesn’t look evil and I think that one of the pictures shows Ollie pointing an arrow at Dinah, but the positioning is off. And it looks like the future is going to centre around Ollie, as usual. Which would be fine, if the book was named Green Arrow.

Showcase 95, #5
A Spoiler story! Steph finds out her coach is dealing drugs to schoolkids, in her school. One of them dies in a car accident the inference is that it’s because they were high. This incident teaches Steph that yet again, shit happens and she loses a little more faith in adults. Poor kid.
This issue also features a Thorn story, and a Firehawk story. It’s worth getting for the Thorn and Spoiler sections.

Assorted DC books
Legion of Superheroes #43 – the intruder to their HQ calls Drura ‘Infectious Lass’. This may have been a joke but is an entirely plausible name for a member of the LoSH. Good issue, I’d kinda like to read more of this run now.
New Gods #1 – I should have read this before Final Crisis.
Fanboy – GL of the lunch room sector# 2. Odd. I hadn’t come across the fanboy mini before. Features half of Hal Jordan’s ass.

Dreamsongs: A RRetrospective book one
Well I finally finished reading it, and I can definitely say it’s the most enjoyable and gripping collection of short stories I have stumbled across. You won’t find a huge amount of diversity in the stories, but they are so well crafted and so powerful I don’t really care. To be fair, in Martin’s future worlds sexuality doesn’t seem to be an issue although all his couples are heterosexual. Anyway, onto specific stories:
If you pick this volume up I wouldn’t bother with the 4 colour fanboy section. Instead, head straight to the filthy pro, sci fi, fantasy or horror sections. With Morning Comes Mistfall is beautiful, The Ice Dragon is about a small child discovering her humanity and empathy, Bitterblooms uses Arthurian legends and In the Lost Lands deals with how it is sometimes unwise to get what you most desire. I found the horror section the most powerful though. Meathouse Man displays deep misogyny, yet also condemns it, and The Monkey Treatment is a story of how the fat man gets his revenge on diets.

After finishing reading this volume I felt at a loss for what to do next. I ended up going to Waterstones and spending £31 on 4 more books, including the 2nd volume of Dreamsongs and an Ursula le Guin book which I discovered was the 3rd in a series. I've read number 1, not number 2, and have been waiting to read Powers for months and months, and now have to get book number 2 first. Arggh. I could have been getting more reading action done months ago if I’d known. I’m a dumbass.

I found this post about the Buffy comics (via WFA). The writer has a very good point. Where are the normal sized ladies in Buffy? Where’s the variation we saw in the last episode of season 7? ‘Tis a crying shame that hasn’t been carried through.

Monday, December 29, 2008

Pre Christmas comic reviews

The new and the old.

Spoilers ahead for Buffy 20, Terra 4, Manhunter 37, DCU Holiday Special 2008, Christmas with the Superheroes #1 (1988) and #2 (1989), Supergirl 36, Hawk and Dove 6, JLE 7, 8 and 9.

So, first of all, the new stuff, bought the week before Christmas:
Supergirl #36
For some reason I really don’t like the cover on this. I don’t think she looks tense enough, there’s definition missing and not enough pain. I think the artist has tried really hard, but there’s just something missing that makes it not quite work for me.

But onto the issue. Kara sees her dad hurt and is (quite justifiably) overcome with a single mindedness and fury as she runs to her father’s side. Poor kid, she’s just got her folks back, her mother has turned out to be nuts and now her dad is fatally injured. Is she ever gonna feel like she has a space somewhere? I’m really curious as to how this New Krypton storyline is going to turn out. Given that we were granted a fabulous issue where Kara was given a secret identity which made all the fans squeal with delight, I’m really hoping they continue (back?) down that route. Now that her Dad is dead and her Mum is nuts she could quite conceivably refute all Kryptonian authority and go back to becoming Lana’s niece.

I am rather upset by the way that they killed off both Kal’s and Kara’s fathers. It’s a bit ridiculous. I also am completely unimpressed with yet another homage to the original Kara’s death in the first crisis. We’ve seen it used when Kon died, when Peter David’s pre crisis Kara died and now again when Zor-El dies. C’mon, the image is being robbed of it’s impact by overuse – it’s becoming too familiar and the sense of tragedy is lost.

I am very intrigued by this new Superwoman and have high hopes for her. I’m liking her costume too – the hooded cape is a nice touch.

Manhunter # 37
Oh I so did not understand this issue. After reading other blogger’s reviews I gather it must be set in the future as Kate’s son is all grown up (and gay now!), however Kate didn’t look like she’d aged at all. Do not understand.

Terra # 4

Doesn’t Power Girl look great on this cover? I found this kind of an unsatisfying end to the mini, but I suspect that viewpoint may change over time. I wasn’t blown away by the resolution of the crystal/diamond (?) guy’s sub plot. The evolution of the sub-terraneans seemed a bit shoehorned in and as much as I enjoyed Power Girl and Terra going shopping, I think the mini could have benefited from being extended by a few more issues and looking at all the different sub plots in more detail.

Of course this may be a ruse by my brain to justify wanting a permanent Terra series. She’s turning up next in Terror Titans so I’m rather pleased I’m already buying that mini. Rose and Terra in one book? That made my day.

Overall I think it is worth getting for the last half of the issue, because Terra trying on clothes and learning earth customs and Japanese food is very very funny.

Buffy the Vampire Slayer # 20
Cute. The cover is cute, the art is cute, the flashback to season 2 Buffy is cute. Portentous Giles is cute, Buffy’s forecasts are cute and her reunion with present day friends is cute. It’s cute.
Harmony is in the next issue, with what look like yappy little rat dogs. I suspect next issue will be annoying.

DCU Holiday special 2008

Oh my this had some cracking stories in.
Aquaman – Somewhere Beyond the Sea, written by Dan Didio and art by Ian Churchill, was wonderful. Arthur (or is he still calling himself Orin? I forget) saves a pregnant lady and her husband from a kraken and a pirate. It turns out we are reading a modern day reimagination of Mary and Joseph’s travels.
Batman – Good King Wenceslas, featured some beautiful art by Dustin Nguyen. This guy needs to be used more. The pencils and the colouring were magnificent.
Gotham City – A Day Without Sirens was a really good counterpart to the Aquaman one, the main message being that of hope. If you can provide the good cops of Gotham City and Batman with hope then you’ve cracked it. And it turned out to be down to Kara and Babs! Kara, you did a good thing. This was written by Joe Kelly. I like Joe Kelly.
Huntress in An Angel Told Me was also a favourite. It’s good to see Helena out of costume. I appreciate the lessons and politics that were slipped in - how child abuse cases can take forever to get through court and the disability awareness dialogue from Helena.
Teen Titans – The Night Before Christmas has some lovely colours, they really suit he Christmas theme and look like fairy lights going off on the page. It turns out that Cassie is taller than Tim. That makes sense, what with her being the daughter of Zeus and because I’ve always pictured Tim as a short (5ft 6 or 8ish maybe?) slim guy. Bombshell is as stroppy as always, Eddie is central to the story and M’Gann turns up! I love that Cassie’s jacket matches her new costume and Tim namechecks all those people close to him who he’s lost, and includes Bart.

JLA - Party Animal. The point of a Secret Santa is that the gift buyer remains secret. Vixen doesn’t appear to know this.

Christmas with the Super Heroes #1 (1988)
Great secret presents for Ollie and Dick there.
I got this and the 1989 one from a friend who’s selling off his old comics. So I read both on Christmas day to keep in the festive spirit. I enjoyed this issue, sometimes in a pained way (Superman being rescued from certain death in the North Pole by Santa’s elves for instance, or the Legion of Superheroes story which was just corny as), but overall it was an innocent light hearted read.
It was also nice to see that 2008’s A Night Without Sirens wasn’t the first time Gotham had quit crime for a whole night. In this issue’s story, titled the Silent Night of the Batman, Batman is called to the police station for Commissioner Gordon thinks that ‘Christmas Eve is not a night to be out patrolling – (instead) Tis the season to be Jolly!’
Batman shows deep scepticism but is nonetheless persuaded to join the Gotham PD’s carol singing efforts for the night. Spliced between panels of Bats singing Jingle Bells, We 3 Kings of Orient Are and Santa Claus is coming to town we see that the petty criminals of Gotham are not so much overcome by the spirit of Christmas joy, as overcome by the spirit of Batman.
Some kids steal a lady’s newly bought presents, open them, find a Batman doll in and are moved to return the toy to her.
A tired looking man with a gun stumbles onto a Batman lookalike, but the lookalike turns round and we see he’s actually collecting for the Wayne Foundation Christmas Drive for the Blind. While dressed as Batman. With a Santa beard.
Lastly, we see a lady who is missing her husband so much, (he’s serving in the armed forces abroad), that she goes to possibly jump off a bridge. Until she sees a batman shaped shadow in the water. She hears a noise, turns round, and her husband has arrived back in a truck! What are the chances eh?
Back at Gotham PD, a ghostly representation of Gordon’s face asks Bats ‘But what is the Christmas spirit Batman -- Might it not be..you..or I?
I guess the theme of this one is not so much hope but fear. Less uplifting.

Christmas with the Super Heroes #2 (1989)
Man, that is one ugly cover. What the hell is wrong with Batman's cowl and Wonder Woman's..well just her really?
This one was better than #1, and a lot less odd. The first story, Ex-Machina, is a Superman one. A man’s car has broken down on the motorway (freeway?). 30 cars have gone past without stopping, it’s snowing heavily and the guy is freezing. He’s just about to give up and shoot himself when Supes turns up and thaws out the guy and his car. There follows a discussion about what the guy has to live for and why there is generally another explanation for people’s actions. Supes ends up directing him to Ma and Pa Kent’s place where they will put him up for Christmas. This was inspiring.
The Batman and Robins story was about the heroes growing up, finding their place amongst the darkness and the light and their relationship with each other and with Alfred. Very good.
The Wonder Woman story had Diana staying with a family for Christmas, who also had another friend, Sharon, staying. Sharon is Christian, Diana and Sharon compared theology and the similarities between their chosen paths. Sharon ends up comforted and resolves her crisis of faith.
The GL/Flash story was fun, if nonsensical. It featured Barry and Hal showing a depressed guy that Santa existed. They did this by dressing the guy up as Santa and having him deliver gifts to kids and do good deeds. Odd.
The last story was a Deadman one, where he slips into one man’s body and nearly stays in this body for the whole of the festivities, until he realises it’s unethical. Thing is, Deadman feels utterly alone. He has no one, and he just wanted to feel part of something again.

The Hawk and Dove and JLE books were fun, as you’d expect. But I’m out of energy and can’t be arsed to review them now. I will be reading the whole JLE run at some point though and I’m sure I’ll be gabbling enough then.