I'm writing these recaps to get my head straight about the show, note down foreshadowing and interesting throwaway scenes or dialogue. Don't expect many insightful comments. These posts are totally for my benefit.
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Spoilers ahead.
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So while Season 1 was setting up the show, having the brothers trace their Dad, and finding a way to defeat the yellow eyed demon (later discovered to be named Azazel), Season 2 is about the psychic kids and Azazel's plan for them. The finale neatly sets up for season 3 too but I won't write about that just yet.
Episode 1 - In My Time of Dying.
I think all the opening episodes of Supernatural are good, but this one is just pure gold. There is not one wasted second of it, it's a powerful and emotive storyline.
After season 1's finale, John, Dean and Sam are in hospital. Sam is mobile, John is more damaged, but Dean has had a horrific brain injury and he's dying. We meet Tessa, the second reaper of the show, and she tries to persuade Dean to go with her. John is scheming, doesn't tell anyone what he's planning, but then goes to Azazel and trades the colt and his life for Dean's. John dies.
Notable points about this episode - the cast seem really, really settled in their roles. It's smooth, seamless and every single bit of it works.
Dean says 'You can't kill Death'. Spoiler - many years later he does. And now I'm dreaming of rewatching the 4 horsemen episodes.
Bobby tells Sam he doesn't want to tow the impala, that it's ruined, but Sam won't let him. This doesn't feel in character for what we know of Bobby later. Nevermind.
Tessa is possessed by Azazel at some point and we see the reaper's true form. I'm not sure if this ever happens again.
In a really heartfelt scene John apologises to Dean for being a shit parent. Irritatingly enough this forces me to reconsider my view of John's parenting. But then just before he dies he whispers something in Dean's ear, we don't find out what it is until much later in the show, but it brings us back to his shit parenting.
Episode 2 - Everybody loves a clown
This has the brothers first trip to the Roadhouse, giving us Ellen and Jo and providing me with two more on-screen loves.
This episode really drives home how much Dean doesn't talk. It's been touched on before but this ep, with the aftermath of John's lonely, Hunter's funeral with just his sons in attendance, made a point of it. We also see how cut off form other Hunters Sam and Dean are. John really didn't clue them into the network that much, apart from Bobby.
The demon is this episode is a Rakshasha, posing a s a clown to get close to children and kill their parents.
Dean is busy fixing the Impala, and then after Sam tries to Talk to him, Dean smashes it up. that's how he's showing his grief, and it's another powerful scene. It's one that stayed with me throughout the whole 15 seasons, and as such, was another one I'd pegged as happening much later on.
Episode 3 - Bloodlust
Finally, we have the right sort of music in the opening credits. I remember this episode relatively well. It's got Gordon the unbending Hunter, and Amber Benson as a vampire. Benson's performance is magical. She's just draws you in, she's wonderful.
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Spoilers ahead.
.
.
.
.
.
.
.
So while Season 1 was setting up the show, having the brothers trace their Dad, and finding a way to defeat the yellow eyed demon (later discovered to be named Azazel), Season 2 is about the psychic kids and Azazel's plan for them. The finale neatly sets up for season 3 too but I won't write about that just yet.
Episode 1 - In My Time of Dying.
I think all the opening episodes of Supernatural are good, but this one is just pure gold. There is not one wasted second of it, it's a powerful and emotive storyline.
After season 1's finale, John, Dean and Sam are in hospital. Sam is mobile, John is more damaged, but Dean has had a horrific brain injury and he's dying. We meet Tessa, the second reaper of the show, and she tries to persuade Dean to go with her. John is scheming, doesn't tell anyone what he's planning, but then goes to Azazel and trades the colt and his life for Dean's. John dies.
Notable points about this episode - the cast seem really, really settled in their roles. It's smooth, seamless and every single bit of it works.
Dean says 'You can't kill Death'. Spoiler - many years later he does. And now I'm dreaming of rewatching the 4 horsemen episodes.
Bobby tells Sam he doesn't want to tow the impala, that it's ruined, but Sam won't let him. This doesn't feel in character for what we know of Bobby later. Nevermind.
Tessa is possessed by Azazel at some point and we see the reaper's true form. I'm not sure if this ever happens again.
In a really heartfelt scene John apologises to Dean for being a shit parent. Irritatingly enough this forces me to reconsider my view of John's parenting. But then just before he dies he whispers something in Dean's ear, we don't find out what it is until much later in the show, but it brings us back to his shit parenting.
Episode 2 - Everybody loves a clown
This has the brothers first trip to the Roadhouse, giving us Ellen and Jo and providing me with two more on-screen loves.
This episode really drives home how much Dean doesn't talk. It's been touched on before but this ep, with the aftermath of John's lonely, Hunter's funeral with just his sons in attendance, made a point of it. We also see how cut off form other Hunters Sam and Dean are. John really didn't clue them into the network that much, apart from Bobby.
The demon is this episode is a Rakshasha, posing a s a clown to get close to children and kill their parents.
Dean is busy fixing the Impala, and then after Sam tries to Talk to him, Dean smashes it up. that's how he's showing his grief, and it's another powerful scene. It's one that stayed with me throughout the whole 15 seasons, and as such, was another one I'd pegged as happening much later on.
Episode 3 - Bloodlust
Finally, we have the right sort of music in the opening credits. I remember this episode relatively well. It's got Gordon the unbending Hunter, and Amber Benson as a vampire. Benson's performance is magical. She's just draws you in, she's wonderful.
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